by Lucy Maud Montgomery
Warm in my arms,
And I con to my heart all your dew-fresh charms,
As you lie close, close in my hungry hold . . .
Your hair like a miser’s dream of gold,
And the white rose of your face far fairer,
Finer, and rarer
Than all the flowers in the young year’s keeping;
Over lips half parted your low breath creeping
Is sweeter than violets in April grasses;
Though your eyes are fast shut I can see their blue,
Splendid and soft as starshine in heaven,
With all the joyance and wisdom given
From the many souls who have stanchly striven
Through the dead years to be strong and true.
Those fine little feet in my worn hands holden . . .
Four mothers, four daughters, four families whose histories shift with the four winds depending on who’s “saying” the stories. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Rather than sink into tragedy, they choose to gather to raise their spirits and money.
Set within a contemporary black community in Southern CA, Bennett’s first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret.
In entrancing, lyrical prose, The Mothers asks whether a “what if” can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.
“Mothers are all slightly insane.”
~J.D. Salinger, The Catcher in the Rye
Where will they tread ?
Valleys of shadow or heights dawn-red?
And those silken fingers, O, wee, white son,
What valorous deeds shall by them be done
In the future that yet so distant is seeming
To my fond dreaming?
What words all so musical and golden
With starry truth and poesy olden
Shall those lips speak in the years on-coming?
O, child of mine, with waxen brow,
Surely your words of that dim to-morrow
Rapture and power and grace must borrow
From the poignant love and holy sorrow
Of the heart that shrines and cradles you now!
Some bitter day you will love another,
To her will bear
Love-gifts and woo her . . . then must I share
You and your tenderness! Now you are mine
From your feet to your hair so golden and fine,
And your crumpled finger-tips . . . mine completely,
Wholly and sweetly;
Mine with kisses deep to smother,
No one so near to you now as your mother!
Others may hear your words of beauty,
But your precious silence is mine alone;
Here in my arms I have enrolled you,
Away from the grasping world I fold you,
Flesh of my flesh and bone of my bone!
“If evolution really works, how come mothers only have two hands?”